So much of the delight of porn is the fantasy, isn’t it? We seek storylines and situations that turn us on and tickle our imaginations, allowing us to transport ourselves into the scene and vicariously experience the unknown. As someone who has had a long-standing interest in spanking and being spanked, I realized while watching Pandora’s Birthday Caning, featuring Pandora Blake and Sarah Gregory, that of course spankings can be lighthearted and loosely structured, all while remaining intense and enthusiastically consensual. It’s sometimes easy to forget that spanking, both giving and receiving, can absolutely be a joyful, exuberant act - it needn’t be limited to discipline, humiliation, punishment, or the other more traditional tropes of the genre.
This spanking film shows how fun and friendship can be excellent catalysts to very exciting spanking and caning porn. If you want to watch quality porn films (and clearly you do if you’re here), palpable chemistry between porn performers should be a basic requirement, in my opinion. Even if the scene is less sexually charged, chemistry doesn’t fall to the wayside.
Pandora’s Birthday Caning is a refreshing film in that sense. There is no obvious seduction, no pantomime of desire. The genuine comfort and authenticity between Pandora and Sarah proves that two people having a warm and sincere conversation alongside OTK spanking can be immensely gratifying to watch. Pandora and Sarah are clearly very comfortable with one another, and that comfort provides a soft and stable grounding to this unscripted, behind the scenes porn film. In lieu of theatrical roles, we get to see sparkling smiles, shy eye contact, sincere compliments and genuine excitement about the thrills of discovering, honing and thoroughly enjoying spanking both professionally and privately.
I absolutely appreciate how genuine this lesbian spanking film is. It’s a conversation between friends and colleagues that creates space for casual erotic experiences to unfold. For me, being able to be a “fly on that wall” is not only intimate and fascinating, it removes the ‘fourth wall’ and makes the whole scene more approachable and accessible than more scripted and dramatic productions. While ‘amateur porn’ has a similar authenticity, a grittiness and realness, and also often lowers that fourth wall, there’s something lovely about watching a personal, candid scene unfolding between two consummate professionals like Pandora and Sarah, shot and edited to professional quality.
I love and appreciate when films can help give you a new perspective on things. In this case, Pandora’s Birthday Caning has given me a new way of looking at spanking that I can now take away with me, continue to mull, and incorporate into my own experiences and fantasies - which makes this film the gift that keeps on giving.
Welcome Violet, who has recently joined the Dreams of Spanking team as a copywriter. She regularly posts erotic photography and writing and her blog Love, Violet.
It’s an interesting thing to look at porn that is “not my thing” and try to see it objectively. Not surprisingly, this isn’t an easy thing to do. It makes sense that we process stimuli we find pleasing more readily and more directly than stimuli that doesn’t quite float our boat. However, the photo gallery In Big Trouble is beautifully made and has enough artistic merit to stand alone, regardless of one’s personal tastes.
Porn is a faction of the overall canon of contemporary art, in my opinion, and I say that as someone whose education is in fine art and critical theory. Many people would disagree, but when the crafting and production of pornography is as considered as its themes and narrative, like the films and photos here on Dreams of Spanking, I’d be hard pressed to dismiss it as too low-brow to be art. In Big Trouble is a beautiful example of visual storytelling that is highly narrative, emotionally demonstrative and visually satisfying to the viewer.
I’m not privy to the details of the creative process or art direction behind a scene like In Big Trouble, but it’s clearly well considered with captivating details. The inspiration for this custom hard spanking photo story came from a client with a particular vision, based on tales of his ex lover’s accounts of hard caning and OTK spanking conducted at home in her younger years. He said,
“Her stories to me of being punished were always the most engaging when she was describing the more ritualistic preparations of being led to the living room, being made to assume the position, being told to lift her dress, being instructed to lower her panties, and then later being ordered to lay down over his knees."
So much of what is described and desired in this scene is internally felt; both by the client as he relives his response to his lover’s stories, as well as the actual scene as it unfolds, grippingly portrayed by Pandora Blake and Mike Pain. Nuanced focus, attention to detail, and the rich storytelling of photography allows the viewer to be transported to the dining room, where paternal hand and rattan cane befall Pandora's tender bottom over and over. I found myself holding my breath as I moved through the images, struck a bit dumb by the intensity and anxious discomfort I felt as the story unfurled. I could feel the heat of the welts, the humiliation of her bottom being bared, and the potion of fear and obedience she must have felt to be able to resist flinching, kicking or squirming.
The artistry of these photos is, for me, in the discomfort that they elicited in me. Not all art is pretty or comfortable. These images are striking (ooops, what a pun!) even though they are not what I turn to for visual titillation. How then, did they resonate so deeply for me? I understand the client’s desire to have that tension highlighted: to experience, indirectly, his lover's humiliation and fear, as well as the unquestioned power and authority of her disciplinarian. These are potent archetypes and themes, because of the power dynamics of the domestic relationship and the ritualised experience of punishment.
This photo gallery made me pause, examine and interrogate my responses. It made me reflect on the nature of the relationships and fetishes depicted and the powerful emotions they provoke. In short, it got me thinking, and it made me feel something. Although that is not the same as being turned on, I was certainly stimulated. And that, folks, is what both porn and art are meant to do.
I’ve always had a bit of a soft spot for strict teacher/naughty pupil spanking scenes, and Even Teachers Make Mistakes pushes all the right buttons. There’s the décor – crossed canes on the wall, Union Jacks to show the upholding of Proper British Values, and all the rest of it. There’s Pandora’s choice of bad-girl attire – super short denim shorts, and a tight Ace of Spades t-shirt. There’s the ritual ‘Oh but Sir!’, and the ‘Don’t answer back, get those knickers down!’ And then there’s the caning itself, expertly delivered and beautifully paced.
I like it when scenes like this are done with a knowing twinkle in the eye of each performer. In this film, I love watching Pandora’s face as the caning progresses; her little yelps and gasps for breath, and the way she chews her lip once the pain kicks in. I know some people find school caning fare a bit camp, but my tastes have always run to kink that is fun for all concerned - and despite Mike's strictness at the start, this film delivers. I particularly like the ending, which I won’t spoil for you except to say that it’s probably not quite what you might expect.
Over the years, I’ve done a fair bit of school-themed play and, of all the spanking things I’ve ever done, for me school scenes always seem to tend to end up with everyone involved nearly helpless with laughter, even while there are also tears of pain from whoever I’m whacking. I love to elicit tears in a reaction to a particularly hard stroke – but laughter and tears are more closely linked than some people think. No one actually gets to the point of giggling in Even Teachers Make Mistakes, but I couldn't help observing the occasional hint of enjoyment or trace of a smile which didn't quite seem entirely in character. For me, these moments of joy bubbling up through the strict disciplinary facade of the scene make the whole thing more enjoyable. I also spotted what I reckon was a hint of imminent tears from Pandora - which I liked even more.
Both Mike and Pandora clearly know one another well and are comfortable working together; apparently Danielle K, who was behind the camera, is a friend of Pandora's who is new to Dreams of Spanking. On the strength of this scene, I would say she fits right in – it’s a beautifully shot short film. I’m tempted to go get my cane, now, and see if there’s a willing bottom available, so I can practice some more until my tramlines are as precise as Mike Pain’s.
I have decided I love audio porn. It’s like bedtime stories for grown-ups; all that’s missing is the “are you sitting comfortably, then I’ll begin”. They are perfect for curling up in bed and listening in blissful solitude; whether you’re looking for kinky inspiration for your own partner play, to inspire sexy dreams, or just to stimulate you in the moment. Pandora Blake’s voice is a perfect balance between throaty arousal and moderated calm.
Lucy’s Punishment by Rosie Bower is a delightfully naughty audio spanking story about a schoolgirl who fantasises about being punished by her teacher, Mr Roberts. She decides to make her fantasies reality, and sets about pushing all her teacher’s buttons until she gets what she wants. When her provocation has the intended effect, and he loses his self-control and tells her to see him at the end of school, she spends the rest of the day in a cloud of anticipation.
However, punishment is never what we expect it to be, and when Lucy’s begins by her being made to list her crimes she realises she might be getting more than she bargained for. She is told to lift her skirt, pull down her knickers, and count each stroke. I really enjoyed the part when she finds out that forgetting to count out loud means that she has only extended her punishment.
There is a delicious moment when something in her shifts, and she begins to truly enjoy the humiliation of her punishment - especially when Mr Roberts ups the ante by bringing in other unseen teachers to watch her be caned. She is held in the moment by the pain of each stroke, but at the same time finds herself drifting into fantasy; imagining what else she wishes they were doing.
The glimpse into Mr Roberts' thoughts when Lucy asks for that last stroke of the cane is beautifully done. It gives a window into all the possibilities that might have been, from the perspective of the person who is truly in charge of this situation, in a way that Lucy’s idle fantasies don’t.
When we share Lucy’s thoughts before she makes herself request one more stroke of the cane, it is as if we are somehow watching her evolve. She finds a maturity that involves realising and taking responsibility for her sexuality, her provocative actions, and her sexual future. It really added something to the story, turning a lovely sexy tale into something that sparks something more in our imagination.
This lovely - and very hot - schoolgirl caning story is a perfect candidate for audio porn because it involves so much imagination and fantasy. It's easy for the listener to imagine themselves in the story; although whether you relate more to Lucy or Mr Roberts is up to you.
I wasn’t sure how I would get on with audio porn. As a writer, part of me loves the idea because I’m all about the sexy words - but I know I can be quite fussy about audiobooks. It’s all about the person reading them, the voice giving you the words. The wrong tone and the story is ruined. With the right voice though, it can be a wonderful experience. Audio porn allows you to use your imagination while listening, and it can be a great way to really put yourself in the scene, especially with the intimacy of earphones.
I shouldn’t have worried though. Pandora Blake, who narrates most of the audio stories on Dreams of Spanking, has a lovely voice that seems perfect for audio porn. Head Girl, written by Rosie Bower, is a smart sexy story that gives a twist to traditional school punishment scenes. Head Girl Julie learns she has to punish her friends for various misdemeanours. When her friends refuse to take the threat of her punishment seriously she finds herself getting angry, and decides to make them respect her authority as Head Girl.
The anger she feels gives Julie confidence in what she is doing, and she takes total control of the situation, forcing her friends' obedience to her will. What I really like about this spanking audio story is the way Rosie Bower shows us the thoughts of each person in the scene. It gives us an insight into what makes each character tick, and delves deep into their embarrassment, humiliation, indignation and other feelings about being punished by Julie.
My favourite punishment in this story was Liam’s, the cool guy who thinks he can get away with doing whatever he wants. The story takes on an extra dimension of hotness when it's revealed that despite himself, the humiliation of the situation is arousing him. His helplessness in the face of his body's betrayal and the way Julie uses it to embarrass him further is really hot. I adored Julie’s glee when she learns how much she enjoys administering punishment. There's a moment when she has to mentally remind herself that this exercise is about teaching Liam an effective lesson, and not about her pleasure. It's delightful - and it made me think that actually it seems very much about both.
As a whole, this story is equal parts hot and discomforting. A school story in which some cool, rebellious kids have to resentfully submit to punishment from their teachers' pet friend is one that many of us might be able to put ourselves into, one way or another. The fact that this is an unwanted punishment, which they still find arousing even as they hate it, creates a delicious tension. It also raises fascinating questions for me about about the psychology of punishment and humiliation.
I have to admit that the character I find myself identifying with the most was Julie. I love the way that she reflects on past resentments and jealousies to fuel her determination to carry the punishment through to its conclusion. And of course, I love dishing out a spanking and decorating a bare bum with marks that will leave a reminder to re-enforce the lesson - and the idea of doing so to my squirming friends who thoroughly deserve it is very appealing.
So my verdict on audio porn? I found this story super hot, and I enjoyed the process of listening to it more than I expected. I enjoyed imagining the scenario and Rosie Bower creates some enticing images that will stay with me. I loved was the image of the two girls bent over the desk, and of Liam bending over clutching his ankles, naked, embarrassed and unable to constrain his erection. So sexy.
This post is illustrated with pictures from Head Girl spanking video A Taste of Their Own Medicine, starring Zoe Montana, Jimmy Holloway and Pandora Blake.
Since Dreams of Spanking launched, I've been impatient to edit and release The Victorian Brothel. I chose the image of me over Tom's knee, wearing bloomers and a corset, as the homepage header image back when I designed the site in the summer of 2011. I always intended to create a rotating gallery of images on that header, showing a wider variety of scenes, but somehow I never found time.
I was incredibly proud of this film when we shot it. This was my second ever shoot as producer/director, a day with Zille Defeu, her husband Duncan, our friend Jay, Tom and me. The first Dreams of Spanking shoot had just been me, Jay and Tom. Those early shoots were a steep learning curve for me.
Until The Victorian Brothel, every scene was a crash course in new aspects of filming that I had to work out from scratch. There was a lot of stopping and starting. Trying to juggle the mental demands of directing with the physical and emotional challenges of bottoming on camera, I found it hard to avoid getting stressed. But The Victorian Brothel was our final scene of the day, and it was the first scene I'd produced that felt like it went well at the time. With Duncan, Zille and Jay behind the camera, Tom and I got into character and the roleplay flowed. It felt as natural as the roleplay scenes we played in private. Trusting our friends to capture our live improvisation, I was able to immerse myself in the scenario, get fully into character, and surrender to the beating without having to balance that headspace with other, more technical concerns. As a result I was able to take a much harder spanking, paddling and caning than I usually can while performing/directing, and I was really happy about it.
That was over seven years ago, in early December 2009. The reason I didn't edit this film before the site launched, along with the other two scenes we shot that day - Caned in Jodhpurs and Liberated Ladies of the Jazz Age - is simple. The Victorian Brothel was originally written as part of a series of films entitled The Adventures of Molly Brown. I'd written several episodes of it; this was the fourth chapter in the story. I hadn't had a chance yet to shoot episodes one to three, but the shoot with Zille and Tom was a perfect opportunity to shoot the episode in which my character meets his for the first time. I very much intended to shoot the others at some point, however; and I wanted to wait and release them in story order.
Sadly, I never got a chance to film the backstory. Episodes one, two and three fell by the wayside. And when I realised that the age verification policy in the Digital Economy Bill was going to put a cut-off point on my ability to keep the site alive in its current form, I finally accepted that I wasn't going to get the chance to shoot them any time soon. Meanwhile, I'm trying to release as much of the content I care about while the site is still legal in the UK.
So Molly Brown's story starts here: with her first appointment with a new customer in Mrs Slater's brothel. An urchin who grew up in the streets and the workhouse, Molly was sent out to work for various undesirable trades, but somehow always found herself sent back to face the the steely glare - and the hard leather strap - of the beadle. When Mrs Slater turned up to see if he had any new girls for her, he packed her off to the brothel - and Molly's life entered a new chapter.
Scrubbed to within an inch of her life, Molly began her transformation into a girl Mrs Slater's customers might find appealing. She earned her share of licks from the madame, too; but it was nothing compared to the beadle's strong right arm. When Mrs Slater saw how well Molly took her punishment, she thought to send her to one of her more eccentric clients, a gent with a predilection for administering corporal punishment to the plump bare bottoms of comely wenches. Molly lacked the elegance and accomplishment of other girls, but she was resilient and quick-witted, and Mrs Slater saw the potential to train her up to please her more unusual clientele.
Molly took well to Mrs Slater's training, and was finally declared ready to meet her first customer. But although Molly is no stranger to taking a beating, she still is not particularly inclined to behave submissively. Sparks fly between her and the gent as he tries to bend her to his will, and her quick tongue and stubborn nature get her into more trouble than she'd bargained for.
So that's Molly's backstory. You never know, it's not impossible I might be able to shoot the previous episodes sometime in the future - although perhaps I'll look too different by the time the stars align, and I have affordable access to the venues and cast I need. In the meantime I think this scene stands well enough on its own. Although I can tell you now that the next chapter has also been shot, and will be released in the coming weeks, starring myself, Tom, and a new character played by Leia Ann Woods...
Coming back to this film to edit it, seven years after it was filmed, was a weird experience. Tom and I split up three years ago, and it was very strange to watch us on camera. I almost felt like I was watching someone else; and yet in other ways seeing us together all those years ago felt very real, and very personal.
I remember writing this scene for us to play. Although Tom plays a very overbearing, bullying character, and to the uninitiated perhaps this scene might be edgy enough to seem non-consensual, I can tell you for certain that this scenario was my fantasy, and performing it was an authentic act of self-expression. But it was fascinating and somewhat dissonant to watch this recording, a piece of my own personal history, and reflect on how much has changed since then.
There are some aspects of this film that I would definitely do differently nowadays. For instance, the way that Tom's patriarchal character throws around the word "whore" makes me wince, now, as an advocate of sex workers' rights who is fighting against stigma and whorephobia. These days I would seriously consider before I took on the role of a historical sex worker, but back then I didn't think twice.
Editing this, I had the opportunity to reflect on how far Dreams of Spanking has come - not only politically, but technically. The Victorian Brothel was shot before I knew to record audio separately from the cameras, or to use face lights. It was a frustrating edit in some ways, as I struggled to salvage a legible soundtrack from two cameras that both had audio isses - one picking up a lot of wind noise (from where I have no idea, given we were indoors), the other plagued by mechanical clicks and whirrs from the operation of the camera. But I feel like I've managed to massage it into a shape that communicates my vision, hopefully without too many technical distractions. I hope you'll forgive any that remain.
For me, the power of this film comes from the interaction between the characters. It's a hard corporal punishment scene, both physically and emotionally - the intensity brings me/Molly to tears towards the end. But not only is the spanking itself severe, the atmosphere of the scene is rife with tension. The scenario unfolds as a battle of wills between a cruel gentleman with particular tastes, and a spirited wench who doesn't know when to keep her mouth shut. I certainly took more strokes, and harder, than if Molly Brown had been submissive than rebellious. But I loved it.
Life has moved on since Tom and I filmed this scene. We are no longer together, and there have been many changes for both me and Dreams of Spanking. But this film holds a special place in my heart. It shows what Tom and I did best - hard, accurate spanking that pushes me to my limits, quick-witted dialogue, sparks flying between two strong characters, and Tom's trademark brand of elegant, articulate dominance.
When I filmed this scene, it seemed to encapsulate everything I wanted to achieve with Dreams of Spanking: immersive roleplay between real life partners, lush costumes and locations, and imaginative historical settings with a quirky sense of humour and a rich attention to detail. That was why I chose a still from this scene as our banner image - and why, although much has changed since then, I'm still very pleased to share it with the world.
Back to School is a super sexy two-part scene starring Molly Malone and Nimue Allen. Nimue is a young teacher who has started working at her girlfriend Molly’s old school, and when Molly comes to pick her up one day they decide to have a little after hours fun.
I love everything about this scene, and I am not alone in that love. It's received more than one fan post; such as this one by Onanist-online, who described it as "one of the sexiest, and beautiful spanking films I have seen in a good while."
What makes this film, I think, is the sexy and intimate relationship between Molly and Nimue's characters. Although they aren't a couple in real life, the chemistry sizzles between them. They are so completely and comfortably at ease with each other, and that familiarity makes this a real treat to watch. Alex Reynolds, writing in her blog Spanking Wishes, commented that "because of the obviously strong chemistry between Molly and Nimue, and the romantic elements in the scene, it feels legitimately intimate.” From lingering kisses to sensual caresses, the pair obviously enjoy the opportunity to play together on camera, and seem completely uninhibited.
I particularly thrilled to hear Molly reminiscing about her school days, explaining how she didn’t necessarily enjoy the spankings she received but would still be thinking about them later in the day. This film is a thoughtful exploration of the difference between the fantasy of a non-consensual childhood school punishment, and the sexy reality of an adult couple enjoying consensual spanking roleplay.
Combining these two sides to spanking gives this scene a taboo element. Spanking Wishes picked up on this; "They’re actually *at* the school, snuck away to have this spanking adventure in a common room. Which is an incredibly hot idea.” I have to say I totally agree. The very appealing way Nimue persuades Molly to put on an old school gym kit (complete with white cotton knickers and knee high socks), adds to the taboo feeling of this scene. While the teasing little conversation about the kit adds to the naughty sexiness, it also reminds us that these are two consenting adults - even if they are playing in a real school, with real school uniform. There is something beautiful and very hot about the smile on Nimue’s face when Molly reappears, blushing, in the gym kit.
I adore the way they connect with each other throughout the spanking, switching roles and positions. Taking time to kiss, stroke, and whisper to each other. They look like they are really enjoying themselves. This connection and consideration of each other just makes the whole scene that much hotter.
I love the moment when Nimue is strapping Molly to the spanking bench, and Molly quips “Don’t worry, I’m not going anywhere”. The bench is a gorgeous antique that evokes so many suggestions of old school halls, Headmaster's offices, and school students tightly strapped in place for punishment. Molly surrenders to the experience beautifully, from the first moment she goes over Nimue's knee, to the point where even the stingy wooden ruler melts her into a puddle of submissive bliss. By the time Nimue picks up the cane, Molly is in a state of total submission. There is something about the way she has completely gives herself over that is very sexy.
I can’t talk about this scene without mentioning the really delicious noises that Molly makes when being spanked, the way they grow in tempo and pitch as the session continues is so hot, it goes right through you. Truly sexy noises.
I'm quite into symbolism and for me, there's a lot of it in this scene that reminds me of being at school myself. The white cotton knickers and knee high socks are the white of a virginal veil, and contrast so well with the bright red of both Molly’s bottom after the spanking, and of her painted nails. I love the symmetry of those things, and for me nothing says sexy like bright red nails scraping over a freshly spanked bottom.
I adore this scene; it brings so many different elements together but still manages to fill simple and coherent, and the combined effect of school uniform, a wood and leather spanking bench, sensual kisses, switch roleplay and hard spanking is very hot.
Despite containing nakedness, over the knee spanking and hard caning, there is something almost innocent in these images. Maybe it's the Victorian setting, or Pandora's white flouncy underskirt. Whatever it is, it really gives this scene a romantic air that I love. It's a sort of nostalgia for a time I only know from books and films.
The Victorian Brothel starring Pandora Blake and Thomas Cameron is a gorgeous sepia photoset that manages to perfectly capture a sort of mentor/protegee experience. I think the slightly cheeky but nervous smile on Pandora's face as she looks up at him is one of the things that make me think of the asymmetrical power dynamic between a strict teacher and student who is eager to impress.
There is an innocence in the photos of Pandora as a Victorian wench getting ready to meet (and please) her new client. I love the image of her kneeling at his feet; the way her hands are tucked under her bottom, and she is looking at the floor but still turned towards him, and the smile on his face as he sits relaxed. It holds possibility; his hand resting on his knee looks like all he has to do is lift a finger and he will be touching her breast. It’s powerful; charged with sensual tension but not overtly erotic…and despite not being submissive, I find I can’t decide if I want to be on the floor or in the chair.
The sequence of photographs where Pandora is showing herself off for Thomas is fascinating. There is an air of confidence but also uncertainty. It conveys the feeling that she is proud of her body but not quite sure if the person she is showing off for approves. Even when she is laid over his knee she seems confused by his lack of apparent response to her charms - which makes her reaction to the first spank so delightful...
I love the careful way Thomas explores her; lifting her skirt, parting her white bloomers, stroking her bum, and skimming past her more delicate area before teasing with a finger, as if he is testing her readiness. The way he lines up the paddle while Pandora tenses, her face crunched as she prepares for the first impact of leather.
I think my favourite image in this set is the one of the cane impacting on Pandora’s bare bottom. The pose, composition, the way the heels lift her bare bottom, and the stocking tops frame the ‘impact zone’. I love how the cane is pressing into her flesh, bending slightly with the force of the stroke. Plus, it is a very lovely bottom, especially with that pattern of bruised stripes across it. It’s an image I have gone back to more than once.
Finally her punishment is over, and Thomas gathers Pandora on his knee. There is something really sexy about the way Pandora bites her lip as Thomas bites her nipple. The way he has her arms pinned behind her back just adds to the feeling. This is a really hot image, that gave me all the right kind of shivers. The film that goes with this photoset has just been released, and I can't wait to watch it because I think it will be hot hot hot.
The last image in the set reminds me of those collectable cards you used to get in cigarette packet, of the sexy ladies in their underwear. It has that air about it, Victorian pin-up perfection.
This is an elegant, evocative photoset with so many beautiful images in it. Which is your favourite?
One of the things I've occasionally thought about, as a feminist who runs a spanking site, is content warnings. Fundamentally, the idea behind these is that if something might include content likely to trigger someone recovering from serious trauma, it's respectful to give notice in advance that the topic is likely to come up, so anyone who needs to can prepare themselves and isn't caught off guard.
I think it's a really great way of making material more inclusive. Yet I've never gone ahead and instituted content warnings on Dreams of Spanking, at least not overtly. What I do instead is to make the content of each scene very explicit in the tags and copy surrounding the film. I try not to spoiler plot twists, but I do often remove the element of surprise from how the story of a film unfolds, in the interests of pre-warning viewers what they can expect - both to catch the attention of people with particular niche tastes, and to pre-warn people who might find certain content distasteful or upsetting. So far, I've been happy with that system. But if any film on Dreams of Spanking has made me wonder if it should include a content warning, it's our latest film starring Tai Crimson.
When I was editing Caned at Home, I found parts of it so extreme - both in terms of the severity of the physical punishment and the nastiness of the verbal degradation and emotional abuse - that it made me feel uncomfortable. The whole scene was shot in a single take, so I didn't see any out-of-character interactions to break the tension and reassure me that Tai was okay with what was happening until the scene was over. However, I needn't have worried. The moment "cut" is called, Tai bounces up and enthusiastically tells me that she could have taken double the number of strokes. In fact, she almost seems disappointed that the scene hadn't been harder.
So I decided to reuse a film format that I trialled during our ATVOD investigation (and which may have played a part in our successful appeal win, although it's hard to be sure); showing snippets of out-of-character performer interviews or behind the scenes interaction both before and after the main film, to contextualise the fantasy in the real-world context of the performers' tastes and desires. Since we won our appeal, I hadn't particularly felt the need to do this - especially with films where the fantasy shows pleasure spankings and explicit consent. But Caned at Home is definitely not one of these.
If edgy domestic scenarios showing the disproportionately severe punishment of a helpless girl aren't a turn-off for you, Caned at Home has much to recommend it. In particular, the sequences of hard and fast cane strokes falling one after the other without a break are some of the most convincingly severe thrashing I've ever seen on a UK spanking site. Tai has a high tolerance, and this was the third time we'd played together; she'd asked me to push her to tears, and this was our last scene of the day, so there was no reason to hold back. As it turned out, even the nastiest verbal abuse I could come up with - and one of the hardest canings I've ever delivered on camera - weren't quite enough to break her.
Perhaps you love severe caning and verbal degradation as much as Tai does, in which case Caned at Home will be right up your street. But if, like me, you prefer to know for sure that the performers were into it before watching a scene of this intensity, I recommend watching the performer interview and behind the scenes video first, to reassure yourself that no only was Tai unharmed by the making of these scene, but actively enjoyed it. It's lovely to work with a young woman who is so in touch with her kinky sexuality, and so articulate at expressing her fantasies and fetishes.
Besides, severe canings that leave livid welts are most definitely not BBFC-compliant. Dreams of Spanking is currently the only UK spanking site where you can watch material like this, and we will remain so until the Digital Economy Bill means we have to stop, too. So enjoy it while you can.
The reason Dreams of Spanking is called dreams is that one of the core concepts of the site is to clarify the boundary between fantasy and reality. This is important to me because my fantasies are often fucking twisted.
I get off to thinking about being bound, violated, totally helpless, and punished against my will. This does not mean I endorse or desire non-consensual acts in real life: far from it, my edgy fantasies make me more invested in enacting and promoting good consent and communication, and in making sure I don't ever take advantage of anyone, or let myself be taken advantage of. Those of us with dark sexual psyches have good reason to think hard about the ethics of erotic power, and how to play with these ideas in a safe, securely-contained space that doesn't impinge on the real world. Actually doing something to someone against their will might be fine to dream about, but it's totally off-limits in reality.
So exploring that boundary line, where dreams end and reality begins, is one of the ideas behind this site: that's why we never publish an edgy non-consent fantasy without accompanying it with behind the scenes videos, out-takes and performer interviews, to show you that fantasy is just fantasy, and make visible the reality behind it. It's also become a policy of mine to not write non-consent scenarios for performers. If I come up with a film idea that is really dark and twisted, I'll either play the submissive role myself, or assign it to another performer only after they've raised the idea of shooting something similar; in that case, I'll run the script past them and amend it to suit their taste before we shoot. But my preference is to work with spankees who have a strongly-developed sense of their own kinky sexuality, and who come to the shoot with scenario ideas of their own.
That's one of the many, many reasons why Tai Crimson was such a pleasure to work with.
You're not a true trans ally unless you're choking me while beating my ass till it's a deep purple. Sorry, I don't make the rules.— Tai Crimson (@TaiCrimson) April 21, 2016
When we were making plans for our second shoot with her - the first since she came out as transgender - she sent me the link to her sex menu, and invited me to peruse it before coming up with scenario ideas. Reading it, I learned two things: firstly, that Tai is the most self-assured teenage pervert I have ever met, and secondly, that she is even filthier than I am. A lot of the stuff on Tai's sex menu already takes me out of my comfort zone - for instance, her fetish for "swirlies", which is when a bully shoves your head in the toilet and flushes it. Luckily, I'm relatively practised at navigating discomfort, and perfectly happy to up the ante and add further twists and intensity until the scenario comes back into the realm of my own twisted imagination. Sometimes two wrongs really do make a right. For instance, one of the scene negotiations went like this:
me: (reads Tai's sex menu) How about a school bully scene including slapping, spanking, wedgies and (maybe) swirling, with Nimue topping Tai?
Tai: Oh gosh, yes! Struggling/roughhousing that leads to being facesat on & taunted might be a nice addition as well. Plenty of fun bully stuff to toss in as well - like, say, having armpits shoved in my face. (My ass, thighs, and tits are also open for punching!)
me: Awesome! How about having you be cousins, or even foster siblings in a shared home, and it be an after-school type thing with both of you still in uniform? With Nimue threatening to get you in trouble if you don't do what she says - actually having you both be in care would make this EXTRA edgy, as she could threaten to get you kicked out. If that's too dark, I will totally understand :)
Tai: Personally, it's dark enough that it just made me wet. Which is a resounding yes.
It's tough writing porn planning emails when you keep having to stop to jerk off to the fucked up ideas you're brainstorming!— Tai Crimson (@TaiCrimson) July 22, 2016
The shoot was at my place, and we were together for two days and two nights. The first day was spent shooting trade content for Nimue's World, and Tai's forthcoming Amateur Porn studio. I got to witness the filthy hotness that is Tai first hand, viewing some incredibly hot scenes from behind the camera. Tai and Nimue have great chemistry, and I really enjoyed watching it develop over the course of the day. For Nimue's site we shot a bathroom control scene, an introductory striptease, a tit torture photoset and a queer sex scene; and for Tai's clip store it got even kinkier, with a figging and anal ice cube scene, a bondage and tickling scene, a super-edgy interrogation scene, and a forced intoxication/breath play scene where Tai was forced to smoke weed and hold it in, only breathing when Nimue permitted her to. I have to admit that it's unusual for me to feel like the least kinky person in the room, but there's no denying that Tai and Nimue are way ahead of me.
So by day two, shooting four videos and two photosets for Dreams of Spanking, we were all warmed up and ready to roll. Last time we shot with her, we didn't get the chance to shoot an introductory photoset with Tai, as the day was already over-full getting all the shots we needed for our cinematic production Houseboy. So this time, we kicked things off with a cutesy photoset of Tai as an adorable schoolgirl, showing off her new girly look, her spankable bottom, and her puffy, newly developing breasts.
I quickly discovered that shooting an innocent photoset with Tai is pretty much impossible. She loves being looked at, and as she removed her clothes the evidence of her arousal became more and more visible. This gallery is going live on the site this week, so you don't have to wait much longer to see how horny she got...
Throughout the shoot, Tai was taking selfies and updating her Twitter - which I thoroughly recommend following. I love this behind the scenes shot of her spread-eagled on the bed before our next scene, posting to the internet while she waited for me to be ready:
The next scene was another photoset - this time a domme/sub scenario with me using Tai's body as a pretty canvas for colourful hot wax. I bought these coloured play candles from Kink Craft at Eroticon earlier this year - they're lovely people, and I highly recommend their toys! I've played with wax before in private, but never brought it into a shoot. Tai was the perfect model, whimpering (and getting more and more turned on) as the wax dripped on her body - including in her most intimate places.
I really enjoyed covering her in colours to match my bedspread, making her wriggle and squirm, and seeking out all her sensitive spots. We also learned that the wax that burned hottest was the black one - and it left Tai with some lovely pink marks, as well as the beautiful decoration of the wax itself.
Once Tai had brushed all the wax off (and we'd shaken out the sheets!) we stayed in the bedroom for our first video - a more sexually explicit scene than the usual fare on Dreams of Spanking. When I first shot with Tai, she mentioned how much she loved anal play and big butt plugs. These are two of my favourite things too, and initially the Houseboy script had an extra femdom BDSM scene where I tormented Tai in all sorts of delicious, sexy ways. Sadly, we had to cut it due to lack of time, so when I planned to shoot with her again I was even more eager to make sure we got the chance to indulge in some butt play.
Tai is infamous for her love of anal CP - that is, smacking the butthole itself, rather than the buttocks as in traditional spanking. It's more exposing, more humiliating, more intimate and much more vulnerable. It's one of my big kinks too, and I was thrilled to have the chance to explore it on camera with a fellow queer femme who gets it.
you know, if you took a carbon fiber rod and left welts/bruises all around my asshole, I bet it'd *really* hurt to get fucked.— Tai Crimson (@TaiCrimson) August 9, 2016
Finally, once I'd warmed up Tai's hole, her cheeks and her thighs with smacks of my hand and my whippiest implements, the scene culminated with a strap-on fucking with my biggest dildo. This isn't the first time I've done this on camera, but it is the first time on Dreams of Spanking. Tai took it beautifully, and the scene was very real, very powerful, and very hot. It was an honour to explore something new together on film, and I can't wait to share the results with you.
After lunch, we moved to the lounge for the foster home bullying scene mentioned above. I got to take a break from performing, and it was gorgeous watching Nimue and Tai work their magic, with Tai as the new kid in the home, and Nimue as the boss bitch who smacks her around. This scene was straight out of Tai's filthy imagination, combining forced undressing, some tit and face slapping, lots of super edgy degradation and verbal abuse, over the knee spanking, wedgies and - last but not least - the ultimate humiliation: shoving Tai's face in the toilet, and flushing it.
I would never have written this scene if Tai hadn't listed all of these acts in such glowing, horny terms in her sex menu. Watching this scene unfold from behind the camera was a real treat. It's lovely to know that after ten years in porn, things can still surprise me - and I can discover the appeal of acts I never thought of as hot before. I'm grateful to Tai for being so authentic, so utterly open about her filthiest fantasies, and for trusting us to realise them for her. Even if wedgies and swirlies aren't your bag, I think Tai's total immersion and submission in this scene makes it really watchable - you can tell how into it she is, and it was wonderful to see her face light up when she talked about it in the post-scene interview!
This is the face of a girl who just had her clothes ripped off & head flushed in the toilet. Because she likes it. pic.twitter.com/S1bHfaDuNV— Tai Crimson (@TaiCrimson) July 27, 2016
I'd love to say that after the toilet-flushing everything got lighter and fluffier, but I'm afraid that it just escalated from there. The last two scenes of the day were, if anything, even more intense.
Although Tai had received lots of pain and domination so far, she hadn't been spanked with much other than the hand. That was about to change: our penultimate scene, lifted straight out of her sex menu, featured me as a no good, very bad therapist, and Tai as my vulnerable young client who confides her kinky fantasies to me. I shame her for having them, tell them that they're disgusting and wrong, and then take sadistic advantage of the situation and coerce her to take 'corrective punishment' from me.
It's interesting to note that even describing this scene to you now, I'm feeling a flutter of nervousness and vulnerability that you'll think I'm a terrible, terrible person for having this scene on my site. It's a fantasy that goes so strongly against the core principles of my morality - that there's nothing wrong with being kinky, that you shouldn't be ashamed about what turns you on - that I'm shy even about telling you we filmed it, even though you already know it was Tai's idea, not mine. I'm not saying there's anything wrong with this being a fantasy of Tai's, either. That would be pretty ironic.
But I can tell you that I struggled to shoot this scene. I had to call cut at some point, just because I knew that my toppy dialogue sucked and I was totally failing to be the nasty, shaming abuser that Tai's fantasy required. Tai patiently fed me the script - "Tell me I'm a perverted freak, that there's something wrong with me, that no respectable or normal girl would be into stuff like this, that I deserve everything I get" - and I nodded and took some breaths, and we got back into character and tried again. I think we got there in the end.
It was pretty humbling, though. It's not often that the top is the one that has to safeword: and it renewed my admiration for Tai's strong sense of self; how aware and assured and accepting she is of her sexuality, that she can take ownership of her own shame scripts in this sort of consensual play. I hope the scene turned out well enough to do her wholeheartedness justice, despite my hesitance in the role of the kink-shaming authority figure.
I can attest that she took a pretty hard beating with some wickedly painful implements, including my much-hated stingy bathbrush, and the senior tawse. By the end of this scene Tai's bottom was ... well, crimson.
Then it was time for the final scene of the day; the caning Tai had been dreaming of since before she first shot for us.
Let's take a moment to appreciate the canings I've gotten in my life, and recognize how many more I utterly need! ðÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂ pic.twitter.com/u5cQYcsKwy— Tai Crimson (@TaiCrimson) July 16, 2016
By this point, you won't be surprised to hear that the plot involves unfair punishment and excessive severity. Tai plays her character from the bullying scene with Nimue; Nimue tattled that Tai was smoking and selling weed, and I play their overly strict caregiver who believes everything Nimue says, and punishes Tai with a hard caning. Luckily, I am 100% secure in my confidence that hard caning is something Tai loves and craves, and so it was easier for me this time to get into character and bring it to life.
It also helped that giving hard canings is one of my favourite things to do - I love the craft of it, lining up perfectly parallel lines and judging the accuracy and power just right. Tai took it beautifully, and I'm delighted with this scene, and everything else we shot that day. I very much hope that she was satisfied with the results!
It was a pleasure and a privilege to host Tai's first shoot as a female spankee, and to assist one more trans girl in the valiant mission of queering up the spanking scene. It certainly needs it. All I can say is, those spanking sites that won't shoot trans performers are totally missing out. Tai is a treasure, and I can't wait to share her scenes with you all.